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Eloïse Bonneviot & Anne de Boer

??? Respawn (2014) Official Trailer ???

18 03 2018 — 23 06 2018
Eloïse Bonneviot & Anne de Boer, Respawn (2014) Official Trailer, exhibition view, MÉLANGE and Liaux, 2018Eloïse Bonneviot & Anne de Boer, Respawn (2014) Official Trailer, exhibition view, MÉLANGE and Liaux, 2018Eloïse Bonneviot & Anne de Boer, Respawn (2014) Official Trailer, exhibition view, MÉLANGE and Liaux, 2018Eloïse Bonneviot & Anne de Boer, Respawn (2014) Official Trailer, exhibition view, MÉLANGE and Liaux, 2018Eloïse Bonneviot & Anne de Boer, Respawn (2014) Official Trailer, exhibition view, MÉLANGE and Liaux, 2018Eloïse Bonneviot & Anne de Boer, Respawn (2014) Official Trailer, exhibition view, MÉLANGE and Liaux, 2018Eloïse Bonneviot & Anne de Boer, Respawn (2014) Official Trailer, exhibition view, MÉLANGE and Liaux, 2018Eloïse Bonneviot & Anne de Boer, Respawn (2014) Official Trailer, exhibition view, MÉLANGE and Liaux, 2018Eloïse Bonneviot & Anne de Boer, Respawn (2014) Official Trailer, exhibition view, MÉLANGE and Liaux, 2018Eloïse Bonneviot & Anne de Boer, Respawn (2014) Official Trailer, exhibition view, MÉLANGE and Liaux, 2018Eloïse Bonneviot & Anne de Boer, Respawn (2014) Official Trailer, exhibition view, MÉLANGE and Liaux, 2018Eloïse Bonneviot & Anne de Boer, Respawn (2014) Official Trailer, exhibition view, MÉLANGE and Liaux, 2018Eloïse Bonneviot & Anne de Boer, Respawn (2014) Official Trailer, exhibition view, MÉLANGE and Liaux, 2018
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??? Respawn (2014) Official Trailer ???” is a online exhibition project realised on LIAUX.ORG (Palermo, Italy), presented by MÉLANGE on invitation of Francesca Verga.

This project was conceived in collaboration between the artist and the team of MÉLANGE. Reacting to a video is essentially the same as to any other art work. Our challenge with moving images, or animated ones, are the same. Symbols, references, anecdotes are interwoven as well as ideas of abstraction. An old school method of trying to point at all those referential systems, which is as old as the production of art, was chosen to make “Respawn (2014) Official Trailer”.
This show functions as a reader and in depth, or even way to deep, understanding of the artist work “Respawn”. The way the information is set up in the video, you can either choose to ignore or embrace the information handed to you. This special trailer version, compared to a regular movie trailer, does not only hint towards the plot and important elements of their approach in Respawn, but lays them bare. By offering all available material, references, inspirations and quotations the piece becomes transparent in an uncomfortable way, by revealing all of its potential secrets, easter eggs and other small hints that might have gone unnoticed. The question at hand in this exhibition is how much information do we provide, or have to provide with the artworks shown. Do these details necessarily add to the story or are they part of the conceptual process and can distract from the pieces unique experience. This show is therefore an experiment on letting go or getting overwhelmed.

Eloïse Bonneviot (b. 1986, lives and works in Paris) & Anne de Boer (b. 1987, lives and work in Paris) occasionally produce collaborative work, either under their name, as the Mycological Twist or with a collective called The Hard-Core.

About Respawn (2014):
Respawn is a film that describes a fictional story told from the perspective of a mushroom. Taking narratives that belong to human histories as a template, a science-fictional drama unfolds in which a mushroom finds itself as a driving force as a longer lasting historical entity.

Concept: Eloïse Bonneviot & Anne de Boer, in conversation with MÉLANGE

Edition

BOX THREE

25 04 2018 — 28 01 2018
Paul Sochacki: Democratic Therapy, 2018, gouache on paper, 24 x 30 cm, series of unique pieces, signedRaphaela Vogel: Untitled, 2018, found book page with plastic, approx. 20 x 15 cm, series of 28 unique pieces, signedJonas Lund: Jonas Lund Token Ownership Certificate, 2018, Cryptho-currency, Amount: 1 Jonas Lund Token, 28 Tokens in totalEva Vuillemin: Katze frisst Zaun, 2018, C-Print on photo paper, 24 x 30 cm, Ed. Of 14 + 14 AP, signedJonathan Monk: Untitled (Isa Genzken), 2018, digital print on paper, folded and mounted on wood, 30 x 40 cm, Ed. of 14 + 14 AP, with certificateXavier Mary: Napalm Obsession, 2018, tin & led casting, approx. 30 x 3 x 8 cm, series of 14 + 15 AP, signedTalisa Lallai: Untitled (Diapositiv), 2018, dia positive slide in plastic cover, 31 x 25 cm, series of 28 unique slides, signedEva L’Hoest: Paint from reference, 2018, found images, 3D color printed, melted plastic box, series of 14 Motifs each 1 + 1 AP, signedLina Hermsdorf: Objektträger, 2018, glass, plants, minerals & human particles (processed & unprocessed), 7,6 x 2,1 cm, Ed. of 14 + 14 AP, signedPaul Czerlitzki: Sudermanstraße 2, 2018, C copy of MÉLANGE entrance key, Ed. of 14 + 14 AP, with certificateJoachim Coucke: Who Owns Our Future?, 2018, various ipad or laptop screen covers, vinyl, various dimensions, series of 28 unique pieces, signedStefano Calligaro: Our Mélange, 2018, voucher for personal Instagram Account, digital print on paper, 14,8 x 21 cm, Ed.of 14 + 14 AP, signed
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MÉLANGE is very grateful for all the artists we had the chance to work with in the past year and very thankful of those that participate in BoxThree!!! with works by Stefano Calligaro, Joachim Coucke, Paul Czerlitzki, Lina Hermsdorf, Daniel Koniusz, Eva L‘Hoest, Talisa Lallai, Jonas Lund, Xavier Mary, Jonathan Monk, Paul Sochacki, Raphaela Vogel,...

Aline Bouvy & Nicolas Pelzer

Late Dawn

10 05 2018 — 03 06 2018
Aline Bouvy, The future of not working, 2017, Jesmonite, fiber glass, activated charcoal, bread, dim. variableNicolas Pelzer, Cockpit Rule – True Sided, 2018, Anodized aluminum, wall mount bracket each 180 x 65 x 38 cmAline Bouvy, The future of not working, 2017, Jesmonite, fiber glass, activated charcoal, bread, dim. variableAline Bouvy, The future of not working, 2017, Jesmonite, fiber glass, activated charcoal, bread, dim. variableAline Bouvy, The future of not working, 2017, Jesmonite, fiber glass, activated charcoal, bread, dim. variableAline Bouvy & Nicolas Pelzer, installation view, MÉLANGE 2018Aline Bouvy & Nicolas Pelzer, installation view, MÉLANGE 2018Aline Bouvy & Nicolas Pelzer, installation view, MÉLANGE 2018Nicolas Pelzer, Cockpit Rule – True Sided, 2018, Anodized aluminum, wall mount bracket each 180 x 65 x 38 cmNicolas Pelzer, Source of Warmth, 2018, Anodized aluminum, kerosene lamp 46 x 62 x 21 cmNicolas Pelzer, Source of Warmth, 2018, Anodized aluminum, kerosene lamp 46 x 62 x 21 cmAline Bouvy & Nicolas Pelzer, Late Dawn, 2018, Steel, kerosene lamp, jesmonite, fiber glass, natural wax approx. 250 x 250 x 200 cmAline Bouvy & Nicolas Pelzer, Late Dawn, 2018, Steel, kerosene lamp, jesmonite, fiber glass, natural wax approx. 250 x 250 x 200 cmAline Bouvy & Nicolas Pelzer, Late Dawn, 2018, Steel, kerosene lamp, jesmonite, fiber glass, natural wax approx. 250 x 250 x 200 cmAline Bouvy & Nicolas Pelzer, Late Dawn, 2018, Steel, kerosene lamp, jesmonite, fiber glass, natural wax approx. 250 x 250 x 200 cmAline Bouvy, The future of not working, 2017, Jesmonite, fiber glass, activated charcoal, bread, dim. variable
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Looking at technology and its evolution/development is one way of perceiving the simultaneity of things: What exists at the same time in various places, can be obsolete in one and necessary in another. Everything connects, but the evolving steps in technology are only slowly getting globalized. Since we finally had the epiphany, that history is...

Loggia @MÉLANGE

Für Dich Existiert Das Alles Nicht

07 06 2018 — 31 07 2018
Installation view, Für Dich Existiert Das Alles Nicht, MÉLANGE and Loggia, 2018Anastasia Jermolaewa: Superior Essential Book Weight, Changing Lifestyle Safer Grip Foot Rest, Thaw Claw, Sushi Bazooka, Thumb Saver, Headgehog Style Balance Pod, 2018, soap casts, various sizes, MÉLANGE and Loggia, 2018Anastasia Jermolaewa: Superior Essential Book Weight, Changing Lifestyle Safer Grip Foot Rest, Thaw Claw, Sushi Bazooka, Thumb Saver, Headgehog Style Balance Pod, 2018, soap casts, various sizes, MÉLANGE and Loggia, 2018Anastasia Jermolaewa: Superior Essential Book Weight, Changing Lifestyle Safer Grip Foot Rest, Thaw Claw, Sushi Bazooka, Thumb Saver, Headgehog Style Balance Pod, 2018, soap casts, various sizes, MÉLANGE and Loggia, 2018Anastasia Jermolaewa: Superior Essential Book Weight, Changing Lifestyle Safer Grip Foot Rest, Thaw Claw, Sushi Bazooka, Thumb Saver, Headgehog Style Balance Pod, 2018, soap casts, various sizes, MÉLANGE and Loggia, 2018Installation view, Für Dich Existiert Das Alles Nicht, MÉLANGE and Loggia, 2018Birke Grom: mater_head_2, 2018, adneter marble, approx. dia. 30 cm, MÉALNGE and Loggia, 2018Birke Grom, installation view, MÉLANGE and Loggia, 2018Installation view, Für Dich Existiert Das Alles Nicht, MÉLANGE and Loggia, 2018Stefan Fuchs: Die Blüte meiner Jugend, 2018, acrylic on canvas, artist frame, 90 x 70 cm, MÉLANGE and Loggia, 2018Installation view, Für Dich Existiert Das Alles Nicht, MÉLANGE and Loggia, 2018Anna Fehr: Untitled, 2018, collage mounted on aluminum, artist frame, 44×60 cm, MÉLANGE and Loggia, 2018Anna Fehr: Zürich, 2018, collage mounted on aluminum, artist frame, 44×60 cm, MÉLANGE and Loggia, 2018Anna Fehr, installation view, MÉLANGE and Loggia, 2018Stefan Fuchs: Vertrauen. Erleben, 2018, acrylic on canvas, artist frame, 90 x 70 cm, MÉLANGE and Loggia 2018Photo: Stefan Fuchs
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A group exhibition organised by Loggia with Anastasia Jermolaewa, Birke Gorm, Anna Fehr, Stefan Fuchs Quote: Das Spiel mit der bairischen Kultur ist gewollt. Die japanischen Architekten wollen bei ihrem Streifzug festgestellt haben, dass das Münchner Stadtbild vor allem durch Erker geprägt ist. Das Modell, das sie danach entwickelten, hatte dann im Erdgeschoss eine Menge...

Eloïse Bonneviot & Anne de Boer

??? Respawn (2014) Official Trailer ???

18 03 2018 — 23 06 2018
Eloïse Bonneviot & Anne de Boer, Respawn (2014) Official Trailer, exhibition view, MÉLANGE and Liaux, 2018Eloïse Bonneviot & Anne de Boer, Respawn (2014) Official Trailer, exhibition view, MÉLANGE and Liaux, 2018Eloïse Bonneviot & Anne de Boer, Respawn (2014) Official Trailer, exhibition view, MÉLANGE and Liaux, 2018Eloïse Bonneviot & Anne de Boer, Respawn (2014) Official Trailer, exhibition view, MÉLANGE and Liaux, 2018Eloïse Bonneviot & Anne de Boer, Respawn (2014) Official Trailer, exhibition view, MÉLANGE and Liaux, 2018Eloïse Bonneviot & Anne de Boer, Respawn (2014) Official Trailer, exhibition view, MÉLANGE and Liaux, 2018Eloïse Bonneviot & Anne de Boer, Respawn (2014) Official Trailer, exhibition view, MÉLANGE and Liaux, 2018Eloïse Bonneviot & Anne de Boer, Respawn (2014) Official Trailer, exhibition view, MÉLANGE and Liaux, 2018Eloïse Bonneviot & Anne de Boer, Respawn (2014) Official Trailer, exhibition view, MÉLANGE and Liaux, 2018Eloïse Bonneviot & Anne de Boer, Respawn (2014) Official Trailer, exhibition view, MÉLANGE and Liaux, 2018Eloïse Bonneviot & Anne de Boer, Respawn (2014) Official Trailer, exhibition view, MÉLANGE and Liaux, 2018Eloïse Bonneviot & Anne de Boer, Respawn (2014) Official Trailer, exhibition view, MÉLANGE and Liaux, 2018Eloïse Bonneviot & Anne de Boer, Respawn (2014) Official Trailer, exhibition view, MÉLANGE and Liaux, 2018
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“??? Respawn (2014) Official Trailer ???” is a online exhibition project realised on LIAUX.ORG (Palermo, Italy), presented by MÉLANGE on invitation of Francesca Verga. This project was conceived in collaboration between the artist and the team of MÉLANGE. Reacting to a video is essentially the same as to any other art work. Our challenge with moving...

Paul Sochacki

Springs Sweet Tears of Grace

12 04 2018 — 12 04 2018

MÉLANGE is thrilled to invite you to drink and float along a special tea table arranged by PAUL SOCHACKI The event can only host a very limited amount of people. Therefore, if you are interested to join in for a selection of spring tea leaves from the east to the west of china, please rsvp...

Luca Trevisani

Hot

24 03 2018 — 22 04 2018
Luca Trevisani: caldo (Giorgio Manganelli), 2017 deep fried glass powder on lobster claws, deep fried  iron powder on dried milk thistle, deep fried copper  powder on ceiba speciosa seeds, iron chain, silicon  rubber. Installation view, MÉLANGE 2018.Luca Trevisani: caldo (Giorgio Manganelli), 2017 deep fried glass powder on lobster claws, deep fried  iron powder on dried milk thistle, deep fried copper  powder on ceiba speciosa seeds, iron chain, silicon  rubber. Installation view, MÉLANGE 2018.Luca Trevisani: caldo (Giorgio Manganelli), 2017 deep fried glass powder on lobster claws, deep fried  iron powder on dried milk thistle, deep fried copper  powder on ceiba speciosa seeds, iron chain, silicon  rubber. Installation view, MÉLANGE 2018.Luca Trevisani: caldo (Giorgio Manganelli), 2017 deep fried glass powder on lobster claws, deep fried  iron powder on dried milk thistle, deep fried copper  powder on ceiba speciosa seeds, iron chain, silicon  rubber. Installation view, MÉLANGE 2018.Luca Trevisani: caldo (Giorgio Manganelli), 2017 deep fried glass powder on lobster claws, deep fried  iron powder on dried milk thistle, deep fried copper  powder on ceiba speciosa seeds, iron chain, silicon  rubber. Installation view, MÉLANGE 2018.Luca Trevisani: caldo (Giorgio Manganelli), 2017 deep fried glass powder on lobster claws, deep fried  iron powder on dried milk thistle, deep fried copper  powder on ceiba speciosa seeds, iron chain, silicon  rubber. Installation view, MÉLANGE 2018.Luca Trevisani, installation view, MÉLANGE 2018.Luca Trevisani: ( Don't )Try This at Home, 2018, bioplastic made with rice amid, glycerol, water, vinegar, oleander flower, second-hand shirt. Installation view, MÉLANGE 2018.Luca Trevisani: ( Don't )Try This at Home, 2018, bioplastic made with rice amid, glycerol, water, vinegar, oleander flower, second-hand shirt. Installation view, MÉLANGE 2018.Luca Trevisani: ( Don't )Try This at Home, 2018, bioplastic made with Ceiba speciosa flowers, amid,  glycerol, water, vinegar, saffron- Installation view, MÉLANGE 2018.Luca Trevisani: ( Don't )Try This at Home, 2018, bioplastic made with Ceiba speciosa flowers, amid,  glycerol, water, vinegar, saffron- Installation view, MÉLANGE 2018.Luca Trevisani, installation view, MÉLANGE 2018.Luca Trevisani, installation view, MÉLANGE 2018.Luca Trevisani, installation view, MÉLANGE 2018.Luca Trevisani: wireless fidelity, 2018, UV cured print on feathers. Installation view, MÉLANGE 2018.Luca Trevisani: wireless fidelity, 2018, UV cured print on feathers. Installation view, MÉLANGE 2018.Luca Trevisani: wireless fidelity, 2018, UV cured print on feathers. Installation view, MÉLANGE 2018.Luca Trevisani: wireless fidelity, 2018, UV cured print on feathers. Installation view, MÉLANGE 2018.Luca Trevisani: wireless fidelity, 2018, UV cured print on feathers. Installation view, MÉLANGE 2018.Luca Trevisani: wireless fidelity, 2018, UV cured print on feathers. Installation view, MÉLANGE 2018.
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Man is the only animal who cooks his own food. Bread is the most technological object ever. This exhibition collects works made with natural fried materials, plastic made within the kitchen and feathers printed in the heat of UV lamps.

Benjamin Brett

Orrlando

19 01 2018 — 18 03 2018
Benjamin Brett, Orrlando, installation view, MÉLANGE 2018Benjamin Brett, Orrlando, installation view, MÉLANGE 2018Benjamin Brett, Orrlando, installation view, MÉLANGE 2018Benjamin Brett, Orrlando, installation view, MÉLANGE 2018Benjamin Brett, Orrlando, installation view, MÉLANGE 2018Benjamin Brett, Orrlando, installation view, MÉLANGE 2018Benjamin Brett, Orrlando, installation view, MÉLANGE 2018Benjamin Brett, Orrlando, installation view, MÉLANGE 2018Benjamin Brett, Orrlando, installation view, MÉLANGE 2018Benjamin Brett, Orrlando, installation view, MÉLANGE 2018Benjamin Brett, Orrlando, installation view, MÉLANGE 2018Benjamin Brett, Orrlando, installation view, MÉLANGE 2018Benjamin Brett, Orrlando, installation view, MÉLANGE 2018Benjamin Brett, Orrlando, installation view, MÉLANGE 2018
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