Tramaine de Senna & Nicolás Lamas

MÉLANGE & Sabot @Loggia for Various Others, Munich

13 09 2019 — 13 10 2019
Tramaine de Senna & Nicolás Lamas, installation view, Mélange and Sabot at Loggia, Munich 2019Nicolás Lamas, Last step, 2019, car radiator, sneaker, mineral stone, Mélange and Sabot at Loggia, Munich 2019Nicolás Lamas, Last step, 2019, car radiator, sneaker, mineral stone, Mélange and Sabot at Loggia, Munich 2019Nicolás Lamas, Unsustainable forms, 2014, IKEA stool, scraped African sculpture, Mélange and Sabot at Loggia, Munich 2019Nicolás Lamas, Unsustainable forms, 2014, IKEA stool, scraped African sculpture, Mélange and Sabot at Loggia, Munich 2019Tramaine de Senna, Coming Downhill, Shooting The Wounded, 2018, epoxy clay, electric wiring, led bulb, and cardboard, 34 x 146 x 34 cm, Mélange and Sabot at Loggia, Munich 2019Tramaine de Senna, Coming Downhill, Shooting The Wounded, 2018, epoxy clay, electric wiring, led bulb, and cardboard, 34 x 146 x 34 cm, Mélange and Sabot at Loggia, Munich 2019Tramaine de Senna, Devo-lution, 2017, paint, paper, and cardboard, 31 x 23 x 0,7 cm, Mélange and Sabot at Loggia, Munich 2019Tramaine de Senna & Nicolás Lamas, installation view, Mélange and Sabot at Loggia, Munich 2019Tramaine de Senna, VOM - Vague Object Motif, Ruby Red Series;  Object No 2, 2013, hand-polished crystal clear resin with red 	dyemeranti pedestal, led bulb, and electrical wiring, 14,6 x 18 x 34,7 cm (object), 31 x 100 x 45 cm (pedestal), Mélange and Sabot at Loggia, Munich 2019Tramaine de Senna, VOM - Vague Object Motif, Ruby Red Series;  Object No 2, 2013, hand-polished crystal clear resin with red 	dyemeranti pedestal, led bulb, and electrical wiring, 14,6 x 18 x 34,7 cm (object), 31 x 100 x 45 cm (pedestal), Mélange and Sabot at Loggia, Munich 2019Nicolás Lamas, Circulation, 2019, sneaker, hay, disabled desktop pc), Mélange and Sabot at Loggia, Munich 2019Nicolás Lamas, Circulation, 2019, sneaker, hay, disabled desktop pc), Mélange and Sabot at Loggia, Munich 2019Nicolás Lamas, Soft Sculpture, 2014, archival print, IKEA aluminium frame, Mélange and Sabot at Loggia, Munich 2019Nicolás Lamas, Synthesis of a Deer, 2014, IKEA towel structure, deer fur, Mélange and Sabot at Loggia, Munich 2019Tramaine de Senna, El Presidente, 2018, satin, faux animal skin, metallic/ hologram 	fabric, foam batting, buttons, impregnated wood, rope, 120 x 185 x 3,5 cm (without feet), Mélange and Sabot at Loggia, Munich 2019Nicolás Lamas, What is happening to my skin, 2018, broken computer screen, wall hooks, 59 x 32 cm, Mélange and Sabot at Loggia, Munich 2019Nicolás Lamas, What is happening to my skin, 2018, broken computer screen, wall hooks, 59 x 32 cm, Mélange and Sabot at Loggia, Munich 2019Nicolás Lamas, Digital Erosion, 2014, archival print, IKEA aluminium frame, Mélange and Sabot at Loggia, Munich 2019Nicolás Lamas, Digital Erosion, 2014, archival print, IKEA aluminium frame, Mélange and Sabot at Loggia, Munich 2019Tramaine de Senna, Devo-lution, 2017, paint, paper, and cardboard, 31 x 23 x 0,7 cm, Mélange and Sabot at Loggia, Munich 2019Tramaine de Senna, Devo-lution, 2017, paint, paper, and cardboard, 31 x 23 x 0,7 cm, Mélange and Sabot at Loggia, Munich 2019
Enlarge

How to compare the incomparable? Or rather, why? Our way of understanding is used to seek out a safe ground, relying on unambiguous narratives that account for everything. As we would listen to a good story, it allows the listener to rest. Putting things together, that sort of look alike, but may or may not...

Cezary Poniatowski & Sami Schlichting

Hereafter

06 09 2019 — 13 10 2019
Installation view, Hereafter, MÉLANGE 2019Installation view, Hereafter, MÉLANGE 2019Installation view, Hereafter, MÉLANGE 2019Installation view, Hereafter, MÉLANGE 2019Installation view, Hereafter, MÉLANGE 2019Installation view, Hereafter, MÉLANGE 2019Installation view, Hereafter, MÉLANGE 2019Installation view, Hereafter, MÉLANGE 2019Installation view, Hereafter, MÉLANGE 2019Installation view, Hereafter, MÉLANGE 2019Installation view, Hereafter, MÉLANGE 2019Installation view, Hereafter, MÉLANGE 2019Installation view, Hereafter, MÉLANGE 2019Installation view, Hereafter, MÉLANGE 2019Installation view, Hereafter, MÉLANGE 2019
Enlarge

We apologies for the possible inconvenience of having dirty shoes after leaving the space. It´s the artists work, appreciate it; please. It nicely smells of rabbit cage and feels strangely cluttered, so we are happy. In the following, a loose string of allusions: A description, which is somewhat unrelated to the show: The French journalist...