Jonas Lund & Timm Ulrichs @PiK, Cologne

17 11 2017 — 16 12 2017
Jonas Lund / Timm Ulrichs, installation view at PiK, MÉLANGE 2017Timm Ulrichs: Timm Ulrichs, observed, detectives log, 1970/71, Final report by detectives Baumbusch, MÉLANGE 2017Jonas Lund: Hype Cycle 2016, 3 Samsung Smart TVs, 3 Custom         Metal Frames, 3 computers, 3 custom software, MÉLANGE 2017Jonas Lund / Timm Ulrichs, installation view at PiK, MÉLANGE 2017Timm Ulrichs: True Sizes ( 1:1 scale), 1975/80, wood object, 240 x 180 cm, b/w photo, 24 x 18 cm, MÉLANGE 2017Jonas Lund: Pizzagate_How 4Chan Uncovered the Sick World of Washington ́s Occult, 2016, UV print and acrylic on canvas, 110 x 80 x 4 cm, MÉLANGE 2017Timm Ulrichs: THE END, eye lid tattoo, 1970/16.5.1981, documentation of a tattoo performance, inkjetprint on canvas, 150 x 150 cm, MÉLANGE 2017Timm Ulrichs: Self/portrait (Body-Art-Object), 1970/19.9.1971, waterproof tent tarpaulin, 180 x 102 cm, MÉLANGE 2017Jonas Lund / Timm Ulrichs, installation view at PiK, MÉLANGE 2017Jonas Lund / Timm Ulrichs, installation view at PiK, MÉLANGE 2017Jonas Lund / Timm Ulrichs, installation view at PiK, MÉLANGE 2017Jonas Lund: Untitled (floor), 2014, various media on canvas, 250 x 200 x 4 cm, MÉLANGE 2017Jonas Lund: Untitled (floor), 2014, various media on canvas, 250 x 200 x 4 cm, MÉLANGE 2017Jonas Lund: Untitled (floor), 2014, various media on canvas, 250 x 200 x 4 cm, MÉLANGE 2017Timm Ulrichs: Lichtenberg ́s Knife, 1969, 3 cnc’ed MDF plates, 2,4 x 38,8 x 38,8 cm, “A knife without blade, which ́s end is missing the hilt” - Georg Christoph Lichtenberg, MÉLANGE 2017Jonas Lund: New Now 4, 2016, UV print on plexiglas, metal frame and LED strip, 127x103x15cm, MÉLANGE 2017Jonas Lund: Your Opinion Matters, 2017, 16 computers, custom software, blue and red clay, dim. Variable, MÉLANGE 2017Jonas Lund: Your Opinion Matters, 2017, 16 computers, custom software, blue and red clay, dim. Variable, MÉLANGE 2017Timm Ulrichs: A ≠ a (Refutation of the Identity-Principle), 1970/75, scale, gilded wood-letters, engraved acrylic glas, 30 x 60 x 35 cm, MÉLANGE 2017Jonas Lund / Timm Ulrichs, installation view at PiK, MÉLANGE 2017
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MÉLANGE gracefully followed the invitation by PiK and is delighted presenting the encounter of Jonas Lund (*1984 in Sweden) and Timm Ulrichs (*1940 in Berlin). It is numbers that don´t lie, do they? The tool of measuring to testimony facts and conditions has thoroughly permeated our habit of perception. Be it ratings or rankings, surveys,...

Jonathan Monk

Name Used To Fill Space

09 11 2017 — 14 01 2018
Jonathan Monk: Name Used to Fill Space, 2017, ten neon letters, various sizes, installation view, MÉLANGE 2017Jonathan Monk: Name Used to Fill Space, 2017, ten neon letters, various sizes, installation view, MÉLANGE 2017Jonathan Monk: Name Used to Fill Space, 2017, ten neon letters, various sizes, installation view, MÉLANGE 2017Jonathan Monk: Name Used to Fill Space, 2017, ten neon letters, various sizes, installation view, MÉLANGE 2017Jonathan Monk: Name Used to Fill Space, 2017, ten neon letters, various sizes, installation view, MÉLANGE 2017Jonathan Monk: Name Used to Fill Space, 2017, ten neon letters, various sizes, installation view, MÉLANGE 2017Jonathan Monk: Name Used to Fill Space, 2017, ten neon letters, various sizes, installation view, MÉLANGE 2017Jonathan Monk: Name Used to Fill Space, 2017, ten neon letters, various sizes, installation view, MÉLANGE 2017Jonathan Monk: Name Used to Fill Space, 2017, ten neon letters, various sizes, installation view, MÉLANGE 2017Jonathan Monk: Name Used to Fill Space, 2017, ten neon letters, various sizes, installation view, MÉLANGE 2017Jonathan Monk: Name Used to Fill Space, 2017, ten neon letters, various sizes, installation view, MÉLANGE 2017Jonathan Monk: Name Used to Fill Space, 2017, ten neon letters, various sizes, installation view, MÉLANGE 2017Jonathan Monk: Name Used to Fill Space, 2017, ten neon letters, various sizes, installation view, MÉLANGE 2017Jonathan Monk: Name Used to Fill Space, 2017, ten neon letters, various sizes, installation view, MÉLANGE 2017Jonathan Monk: Name Used to Fill Space, 2017, ten neon letters, various sizes, installation view, MÉLANGE 2017Jonathan Monk: Name Used to Fill Space, 2017, ten neon letters, various sizes, installation view, MÉLANGE 2017
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The name used to fill the space of MÉLANGE is not only a title but also a quite literate expression in case of Jonathan Monks solo show. Monk, who is known for his constant spin-off of contemporary art works and already “historic” pieces of conceptual art, loves to play with the pre-sets introduced by other...