(left) Konrad Lueg, Set, 1975, from the edition “Saltoarte”, table cloth, 34,2 x 28,2 cm. (right, up) unkown artist, untitled, approx. 1990s, Polaroid, 10,5 9 cm. (left) unkown artist, night scene in Los Angeles riot area, 1965, silver gelatin print, 20 x 25,5 cm, MÉLANGE 2015
(left) Konrad Lueg, Set, 1975, from the edition “Saltoarte”, table cloth, 34,2 x 28,2 cm. (right, up) unkown artist, untitled, approx. 1990s, Polaroid, 10,5 9 cm. (left) unkown artist, night scene in Los Angeles riot area, 1965, silver gelatin print, 20 x 25,5 cm, MÉLANGE 2015
(left) Matias Faldbakken, Serox-Scan, No02, 2008, black and white copy, dim. variable (right) Anne Sofie Bird Møller, Ohne Titel, 2008 magazine page, glue, oil paint on wood, 28 x 21 cm, MÉLANGE 2015
McGraw, Floyed Diamond, Killer of nine y. old Kethleen M´Laughling, 1955, silver-gelatin print, acrylic paint, marker, 25 x 21 cm, MÉLANGE 2015
Aude Pariset, Snatcher, 2013, studio trash, rice paper, umbrella, height 72 cm, MÉLANGE 2015
Aude Pariset, Snatcher, 2013, studio trash, rice paper, umbrella, height 72 cm, MÉLANGE 2015
Felix Gonzales Torres, Untitled (Death by Gun), 1990, black and white print, unlimited edition, 115 x 85 cm, MÉLANGE 2015
Felix Gonzales Torres, Untitled (Death by Gun), 1990, black and white print, unlimited edition, 115 x 85 cm, MÉLANGE 2015
A presentation of works and editions
From a private Collection
Thoughts on collecting
Forensics archive
Subjectification **** Completeness
Consciousness **** central idea
Obsession **** emotional charge
CRITERIA OF A COLLECTION?
Aesthetics vs usability **** collecting and accumulation
civic collection = private scholarship private vs museum collecting
Collection as dispositive of transformation
Disposition of power **** site of art historiography
Posterity **** Visibility
Überlegungen zum Sammeln
Archiv der Spurensicherung
Subjektivierung **** Vollständigkeit
Bewusstsein **** Leitgedanke
Obsession **** emotionale Aufladung
KRITERIEN EINER SAMMLUNG?
Ästhetik vs. Nutzbarkeit **** Sammeln und Ansammlung
Bürgerliche Sammlung = Privatgelehrte Privates vs museales Sammeln
Sammlung als Transformationsdispositiv
Verfügung von Macht **** Ort der Kunstgeschichtsschreibung
Nachträglichkeit **** Sichtbarkeit